reading
doing this
The third sheet had scribbling in the center with the word “Disorder” written above it and other bubble letters on the bottom I couldn’t make out.
I’m pretty sure that right after I had woken up, for the 5 minutes I was investigating those sheets of paper, I was convinced the wizard from my dream had left them for me; pieces to the puzzle! Two minutes later it dawned on me that my brother who had stayed with me for the weekend must have left them, and after asking him, I learned he had. I had to laugh, I had really thought someone (my wizard, see right) had snuck in my room and left them on the chair while I was sleeping. If only!
This experience reminded me of being a kid and having that ability to sincerely believe the completely untrue things people tell you or the things you make up in your mind. Like santa clause, imaginary friends, or the bridge to terabithia.
My stomach still pained so I filled up the bath tub and turned on In Rainbows, by Radiohead. I took like an hour in the bath, listening to the entire album.
In Rainbows is one of my favorite albums, it’s beautiful. Every time I listen to it, it’s like I’m somehow rehearing it for the first time. There is always something new to discover. What a masterpiece. 4 minute warning, the last song, just amazed me. I think when the album ended I must have replayed that song three or four times. His voice is so pure; it carries the music, like a lullaby. Sing me to sleep Thom.
Petrarch
Imagine a love so intense and real that the idea of that person alone inspires hundreds of poems. Petrarch’s love for Laura was unceasing and although it brought great inspiration, it caused him even greater agony. He had contempt for men who persused women and wrote poems exclaiming Laura’s beauty and magnificence rather than love poems to woo her to him. Petrarch put Laura on a pedestal and glorified her name with his writing. He loved her unconditionally and that love was real, even though he was never able to have her.
Petrarch loved Laura until the day she died. She died at the age of 38, meaning Petrarch loved her for 21 years. Upon her death he experienced extreme grief and never loved again.
That is Petrarchan love.
Petrarch wasn’t and isn’t alone. My professor used “petrarchan” love to describe the feelings of many modernist writers, Matthew Arnold being my favorite. The poor guy fell in love with a girl that didn’t love him back…
We were apart; yet, day by day,
I bade my heart more constant be.
I bade it keep the world away,
And grow a home for only thee;
Nor fear'd but thy love likewise grew,
Like mine, each day, more tried, more true.
The fault was grave! I might have known,
What far too soon, alas! I learn'd--
The heart can bind itself alone,
And faith may oft be unreturn'd.
Self-sway'd our feelings ebb and swell--
Thou lov'st no more;--Farewell! Farewell!
Arnold struggled with isolation and quite naturally a woman occupied his thoughts. Unlike Petrarch however, many of the modernist authors did not embrace their unrequited love, but bemoaned their loneliness and complained about their circumstances.
In our day we are no different than Petrarch or Arnold. Whether we like to admit it or not we all fall in love. We have to fall in love. In many ways Arnold mirrored the attitude of John Donne’s idea that, “no man is an island entire of itself.” As hard as we try to tell ourselves otherwise, we can’t, and don’t want to be alone. It helps to know that through the ages, people have felt just like we do.
So the next time you fall in love with a cute boy or girl you always see in the library, don’t feel so bad facebook stalking them, Petrarch or Arnold would do the same.
In English class I heard a story that I fell in love with.
A book titled, “The Sorrows of Young Werther” by Goethe is a semi-autobiographical account of a young romantic man who is known for boldly wearing a yellow waist coast with his blue jacket. The book is a fictional collection of letters written from the main character Werther to his friend Wilhelm.
This work by Goethe is undoubtedly the beginning of what some would jokingly call EMO. However, its story and character are powerful enough that it provides fuel for works across the ages with a rage of titles anywhere from Romeo and Juliet to Catcher in the Rye. The poignant story of a young person trapped in his or her feelings, so introverted and able to feel, so sensitive to their environment, that they wince when touched emotionally. The light at the end of their tunnel is either too far in the distance to ever reach or something they completely don’t understand, and instead of seeking to decipher anything at all, they plow forward, unsure of the direction, but onward into the light. Goethe was a genius, not for his ability to write a piece like this, but for his unabashed honesty and the genuine heart of the novel that pumps real life, feelings, and experience into the story.
Oh to be a romantic. Studying the romantic period in English this year has been one of the most interesting topics I have covered in college this far. Conventionally, the word “Romantic” in our time has a connotation associated with love or passion. “Romantic” novels fill bookstore shelves covered in pictures of a half naked Fabio seducing some emotionally distressed damsel. A romantic night usually entails candles, cuddling, and copious lovemaking. These modern definitions of “Romantic” are far from the original meaning of the word.
Romantics were figuratively like new borns in the society they lived in. They valued innocence, youth, asthetic experience, emotion, and sought out the spiritual or unseen truths. The values and mindset of the romantics were drastically different from those of the enlightened period. Many fresh new romantics sported colored wigs (opposed to the white powdered ones of the time) and were proud of their youthfulness. It had been a commonplace in that time for youth to be frowned upon and age was associated with intelligence, position, and power. Romantics changed that paradigm.
These are black Vans, my favorite shoes.
Size thirteen, dirty white souls, holes and tears.